"...the idling Spirit
By its own moods interprets, everywhere
Echo or mirror seeking of itself,
And makes a toy of Thought."
-Coleridge, "Frost at Midnight"
1.
Then look again, my Dear Caroline.
The Little Stranger is outside the parlor,
clanging candlesticks against the balustrade.
She emerged in gusty soot the moment
you scolded the scullery maid
you scolded the scullery maid
for leaving the boot-room strewn with straw.
Fire is not a trial worth tempting.
You have a weakness, Dear, like your
brother (now under the care of the Vicar of St. Albans).
The brandy is not this weakness; only
an amber mirror that shatters
down the throat.
2.
The Estate was broken shortly after the War, the second, the flamethrower, that scorched the smutty skirts of London and menaced the greeny shires with invisible smoke. There was no more room for such a pile in the Midlands where rural families suddenly were in need of washrooms segmented plots. And here it must be said that an ancient home will become agitated when it's foundation is threated. Pockets of air, filled with things that have happened--like the dark space beneath the second floor landing where a small boy once bounced a pig-skinned ball over and over and over as his nursery-maid shouted for him from above--remain and beg attention in the silliest of ways.
3.
Poor Roddy was never properly
held by his mother. That must account
for his abnormal admiration for the flame.
The touch of fire is like no other touch:
a blue kiss, a digging tongue
that rewrites the skin.
For the starved of love, a lick
of ember is the milky nipple
never pulled.
Poor boy. How he loved that
second floor landing, dark and
tight and warm like the red-lined
walls of flesh in which he began.
4.
A skull is really a mansion, isn't it? An estate with the most complex configuration of wings: branches and barnacles off-shooting in fissured currents from plate of bone to plate of bone. And all that meat in between where our full-length mirrors reflect every instance, every occurrence from pink unwinding to grey goodbye...
5.
...and the strangers that hide behind them,
and the strangers that move within them.
2.
The Estate was broken shortly after the War, the second, the flamethrower, that scorched the smutty skirts of London and menaced the greeny shires with invisible smoke. There was no more room for such a pile in the Midlands where rural families suddenly were in need of washrooms segmented plots. And here it must be said that an ancient home will become agitated when it's foundation is threated. Pockets of air, filled with things that have happened--like the dark space beneath the second floor landing where a small boy once bounced a pig-skinned ball over and over and over as his nursery-maid shouted for him from above--remain and beg attention in the silliest of ways.
3.
Poor Roddy was never properly
held by his mother. That must account
for his abnormal admiration for the flame.
The touch of fire is like no other touch:
a blue kiss, a digging tongue
that rewrites the skin.
For the starved of love, a lick
of ember is the milky nipple
never pulled.
Poor boy. How he loved that
second floor landing, dark and
tight and warm like the red-lined
walls of flesh in which he began.
4.
A skull is really a mansion, isn't it? An estate with the most complex configuration of wings: branches and barnacles off-shooting in fissured currents from plate of bone to plate of bone. And all that meat in between where our full-length mirrors reflect every instance, every occurrence from pink unwinding to grey goodbye...
5.
...and the strangers that hide behind them,
and the strangers that move within them.
12 comments:
Hmmm...this requires further analysis. I liked the first read. I'll be back later with greater praise. ;-)
Thank you, Gerry. This was written purely for my own amusement and delight. The Little Stranger stays with me still, days after finishing it. I can't get it out of my head. Waters is a gifted writer who has an incredible ability to erase the distance between the reader's eyes and the characters' breath. A towering achievement, IMO. Should have won the Booker.
Wonderful lines:
"She emerged in gusty soot the moment
you scolded the scullery maid
for leaving the boot-room strewn with straw."
I also love the images, sounds and tone in section 4.
Agree with Jenny on "gutsy soot".
Also "...amber mirror that shatters down the throat". That's a really yummy line.
In 3. from "The touch of fire..." to the end of the stanza is quite nice also.
4. is kinda wonderfully creepy to me.
All in all, this was a delight read and I like the way you held the tone. It actually reads almost like an antique, which is kinda cool. Something from the cabinet of curiosities.
BTW, not familiar with the
source material but I'll have to check it out.
Thanks to you both.
Waters is certainly worth checking out. The way you describe my poem as an antique from "the cabinet of curiosities" is precisely how I would describe the novel. Thank you.
poem
prose
poem
prose
your head is in the water
your head is out of water
images merge
a monetsque painting
that talks of life
more that reality
loved this work
for the way i was drawn into it
for the way living it all
how have you done it?
it's not just the words
and the sounds
and the images
there is something beyond these
something you have lived...
namaste!
human being: thank you. yes, I agree. Could be something I have lived in this life or another...
I loved 'The Little Stranger' staying with u!
Lovely! As beautiful as you and ur words!
I am constantly reminded that I have so much to learn, and so much to unlearn. Thanks for today's lesson. That was...a really cool piece.
PG
Thank you, Peter Greene. I appreciate your comment. I am constantly trying to unlearn and learn during the process.
I have really enjoyed reading your blog.
Aw, great. Clanging candlesticks and blue fire kisses and skull mansions and I suspect that of having been an extremely good poem. Thanks as always for sharing it - this is fun! Gosh, it's a good inspiration to keep working, running into something really good. That piece was very polished and possessed also considerable boogie.
P
Oh my gosh, I've read this far in before, haven't I? My mind is like a colander - strong as steel and only the really big objects remain inside.
Post a Comment